The Prestige: "Are You Watching Closely?"
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It’s best to watch The Prestige, Christopher Nolan’s latest, knowing as little of the plot as possible. Suffice it to say that the movie concerns two 19th century magicians, Alfred Borden (Christian Bale) and Rupert Angier (Hugh Jackman) whose friendship is quickly soured and twisted by tragedy. A game of one-upmanship ensues, with both Borden and Angier obsessively trying to improve their own tricks while sabotaging the other man.
The first half-hour of The Prestige is Christopher Nolan’s Pledge - the initial part of the magic trick where the magician shows you something supposedly ordinary – as he show us what seems to be nothing more than a vendetta film, with nice set-dressing and period props, but told in a entrancingly non-linear way, using nested flashbacks and multiple narrative threads. At one point in the movie, Borden is reading Angier’s diary, in which he documents his attempts at translating Borden’s diary, which is encoded in cipher, which goes on to describe the early acquaintance of the two men.
The Turn – where the ordinary object does something extraordinary – comes when Borden creates a trick called the Transported Man, where he walks into a closet and comes out of another, entirely separate closet several feet away. How he does what he does & how Angier tries to replicate The Transported Man serves as the narrative thrust that propels the movie into The Prestige – the payoff, where the astonished audience tries to figure out the trick, usually without success. Nolan’s a filmmaker, not a magician, so he does tell you the secret, revealing clues throughout the movie that add up inexorably until you gasp with revelation.
The Prestige is better than entertaining – it’s intriguing, with a twist so deliciously macabre it feels like Jonathan Creek – The Victorian Years. Neither Borden nor Angier are conventional heroes or villains – simply men obsessed with the art of illusion – and the movie succeeds because it pulls us into that obsession, because we want to know these men’s secrets just as much as they do. Bale and Jackman both do good work here, ably supported by a cast that includes the always awesome Michael Caine, Scarlett Johansson and David Bowie. The cinematography and editing are impeccable – you don’t even realize what they’re hiding – or even that they’re hiding something - until the dénouement, when you’re stunned by the sheer audacity of it all.